Headphonecommute.com
United Kingdom
| No | Meta Name | Value |
| 1 | viewport | width=device-width, initial-scale=1, shrink-to-fit=no |
| Type | Status |
| HTML 5 |  |
| Responsive Website |  |
| No | Text |
| 1 | Lawrence english |
| 2 | A young person’s guide to hustling(ın music and the arts) |
| 3 | The alvaret ensemble, fean, offthesky & the humble bee |
| 4 | Gabríel Ólafs |
| 5 | Nordic house session |
| 6 | ın the studio with (2) |
| 7 | Atom™ (2) |
| 8 | Yann tiersen |
| 9 | Alva noto + ryuichi sakamoto |
| 10 | ımmolate yourself |
| 11 | Fragmented dialogue |
| 12 | Low light mixes / ambientblog mix |
| 13 | Robin schlochtermeier |
| 14 | Foghorn |
| 15 | Bvdub, shortwave research group, and kaboom karavan |
| 16 | Christine ott |
| 17 | Chimères (pour ondes martenot) |
| 18 | Longform editions |
| 19 | Carmen villain, chihei hatakeyama, celer and michael vincent waller |
| 20 | Mercury kx special |
| 21 | Sophie hutchings, luke howard and lambert |
| 22 | Alva noto |
| 23 | Xerrox vol.2 |
| 24 | Morgen wurde |
| 25 | Dominions of our time |
| 26 | The flashbulb |
| 27 | Our simulacra |
| 28 | Mathieu ka****nti, ben crosland, hamed mafakheri |
| 29 | Exploring erik satie’s système sur-atonal with rudi arapahoe |
| 30 | Lawrence english, worriedaboutsatan, and christopher bissonnette |
| 31 | Bow feat. aidan baker |
| 32 | Bryanbaum variation |
| 33 | ın the studio with robin rimbaud |
| 34 | Scanner |
| 35 | Orangewarrior |
| 36 | Retro 97 mix |
| 37 | Bruno bavota |
| 38 | Apartment loop #3 |
| 39 | Joshua van ta***el |
| 40 | Eternal turtle |
| 41 | Va |
| 42 | Gap ın time (dronarivm) |
| 43 | Stephan moccio |
| 44 | Le temps qui pa***e |
| 45 | Nazar, gábor lázár, and grischa lichtenberger |
| 46 | Robot koch, abadır, and n-so |
| 47 | Worriedaboutsatan |
| 48 | Headphone commute mix |
| 49 | Winterdagen |
| 50 | Phase ın |
| 51 | Hior chronik |
| 52 | Pay no attention to the boundaries |
| 53 | Rafael anton ırisarri |
| 54 | Peripeteia (dais) |
| 55 | Atli örvarsson |
| 56 | Dropar (feat. gyða valtýsdóttir) |
| 57 | Boards of canada, autechre, push button objects |
| 58 | ıtal tek |
| 59 | Outland |
| 60 | The new auteurs : bpmoore, thinnen, vito gatto, and j.wilts***re |
| 61 | Richard luke |
| 62 | Silent story (rework) |
| 63 | Ricardo donoso |
| 64 | Crossed destinies |
| 65 | Aukai |
| 66 | Akal ki |
| 67 | Roel funcken |
| 68 | Australian bushfire sampler mix |
| 69 | Roly porter |
| 70 | Kistvaen |
| 71 | ın the studio with lambert |
| 72 | Colin herrick |
| 73 | ı’ll show you mine… (2) |
| 74 | Shortwave research group |
| 75 | Coherence |
| 76 | Eskmo |
| 77 | Aether |
| 78 | ın the studio with sophie hutchings |
| 79 | Arandel |
| 80 | Switched-on ınbach |
| 81 | Dakota suite |
| 82 | Black swan, 36, and zakè |
| 83 | The ıdeal setback |
| 84 | Anchor |
| 85 | Squarepusher |
| 86 | Be up a h****o |
| 87 | Squarepusher, telefon tel aviv, and erik satie |
| 88 | Sylvain chauveau, vladislav delay, and warmth |
| 89 | Yair elazar glotman & mats erlandsson |
| 90 | Procession |
| 91 | Hc |
| 92 | And darkness came (rewind) |
| 93 | Jóhann jóhannsson, dictaphone, and black devil |
| 94 | Breakbeat science |
| 95 | Slow reels |
| 96 | Farewell ıslands (morr music) |
| 97 | Morgen wurde ft. georges-emmanuel schneider |
| 98 | Sah voraus |
| 99 | Daniel avery & alessandro cortini, arovane, and ıda toninato |
| 100 | ın the studio with sebastian plano |
| No | Text |
| 1 | “… a cosmic journey with cinematographic colours…” |
| 2 | “… incredibly emotional, while at the same time playful, and most importantly intelligent flavour of electronic music…” |
| 3 | … focusing on the personal in order to tell a wider human story… |
| 4 | … prone to audio hallucinations whilst writing the album, alan myson aimed to capture these distortions in his perception of pitch and time… |
| 5 | … music made by machines, with machines, for machines… |
| 6 | … a mastercla*** in acid breakbeat and leftfield drill’n’ba***… |
| 7 | … an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism… |
| No | Text |
| 1 | honest words on honest music |
| 2 | work |
| 3 | others |
| 4 | laaps |
| 5 | Mathias Van Eecloo |
| 6 | Ensemble Modern |
| 7 | Telefon Tel Aviv’s |
| 8 | Mercury KX |
| 9 | Raster-Noton |
| 10 | Touched Music |
| 11 | Uwe Schmidt |
| 12 | The Echo Society |
| 13 | Tom Jenkinson |
| 14 | Ian Hawgood |
| 15 | James Murray |
| 16 | © Headphone Commute 2007 - 2020 |
| No | Text |
| 1 | One tale of hustling |
| 2 | During the torrent of the live streams invading your living room, I feel that we need something different… something very intimate, delicate, and serene… |
| 3 | “… too much gear usually leads to boring ideas, while many good ideas reduce the amount of equipment…” |
| 4 | … I like to be submerged in sounds and the inspiration comes from that… |
| 5 | RECITAL (2) |
| 6 | … hyper-modern sound design and smoky nocturnal emotion… |
| 7 | “… capturing the experiences the world can produce in our minds when we are open, receptive and boundary-less…” |
| 8 | “… turn down the light, put on these albums, and travel to a place within yourself you did not know existed…” |
| 9 | “… a cosmic journey with cinematographic colours…” |
| 10 | “… incredibly emotional, while at the same time playful, and most importantly intelligent flavour of electronic music…” |
| 11 | “The Système consists of a series of 4 scales creating seven four-note chords…” |
| 12 | “… an acute meditation on wave fluctuations, restraint on dynamics and textural space…” |
| 13 | “… a tranquil dance between the sound and image…” |
| 14 | “…the freedom of expression and thought within the modular system is very appealing, where it’s very much about the moment, the response in real-time…” |
| 15 | “… a suite of celestial, transcendent songs for synthesizer… “ |
| 16 | “… like the instrument that inspired it […] the music is elegant and expressive, the score to a movie inside your head…” |
| 17 | “… I just wanted to come back to hear my own heartbeat. Calm. Quiet… |
| 18 | … best understood as a crooked ballad… |
| 19 | “… a serene meditation on sound and space, capturing the quiet noises of the piano, bathing in the warm tones from the analogue machines…” |
| 20 | “… brooding over the boundaries set forth by the conditioned mind, and reminding us not to heed them…” |
| 21 | … focusing on the personal in order to tell a wider human story… |
| 22 | … prone to audio hallucinations whilst writing the album, Alan Myson aimed to capture these distortions in his perception of pitch and time… |
| 23 | “… a delicate alternate version, with gentle felted piano, deep ba*** rumble and romantic violin…” |
| 24 | “… contemporary humanity has lost the ability to engage in a productive solitude…” |
| 25 | “… on discovery, introspection and self-liberation…” |
| 26 | Australia Bushfire Compilation |
| 27 | … music made by machines, with machines, for machines… |
| 28 | … otherworldly sonicnecromancy, where long-dormant spirits are evoked, summoning an extremely heavy presence… |
| 29 | “… the clearer you line out your musical vision in advance, the easier will it be to get to the result…” |
| 30 | “I have a fondness for strange old music from the early years of the sh****ac… I just love tossing those old records in a pile on the carpet as I play them… it’s a deliciously irresponsible feeling!” |
| 31 | “… towering concrete structures push against the skyline and low-frequency pressure seeps from every crack in the granite…” |
| 32 | … when there’s a real beating heart behind what’s played with, there’s a form of emotion conveyed and never played the same way twice…” |
| 33 | “… I looked at my shelving unit the other day and thought I could hollow out the middle row, be laid to rest in it with the records and they could just nail wood over the top and I could go into the ground with it all…” |
| 34 | “Todd Chappell dives further into cinematic orchestration with a beautifully arranged modern-cla***ical composition…” |
| 35 | … a mastercla*** in acid breakbeat and leftfield drill’n’ba***… |
| 36 | “… a powerful and stunningly executed long-form work that continues to explore ideas of displaced sound…” |
| 37 | … and darkness came |
| 38 | … an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism… |
| 39 | “… emanating sounds which let dissolve all conceivable questions of a man about life and death…” |
| 40 | “… an analogy of a hallucination in which real and imaginary space are intertwined into a sonic, visceral trip…” |
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