No | Text |
1 | Lawrence english |
2 | A young person’s guide to hustling(ın music and the arts) |
3 | The alvaret ensemble, fean, offthesky & the humble bee |
4 | Gabríel Ólafs |
5 | Nordic house session |
6 | ın the studio with (2) |
7 | Atom™ (2) |
8 | Yann tiersen |
9 | Alva noto + ryuichi sakamoto |
10 | ımmolate yourself |
11 | Fragmented dialogue |
12 | Low light mixes / ambientblog mix |
13 | Robin schlochtermeier |
14 | Foghorn |
15 | Bvdub, shortwave research group, and kaboom karavan |
16 | Christine ott |
17 | Chimères (pour ondes martenot) |
18 | Longform editions |
19 | Carmen villain, chihei hatakeyama, celer and michael vincent waller |
20 | Mercury kx special |
21 | Sophie hutchings, luke howard and lambert |
22 | Alva noto |
23 | Xerrox vol.2 |
24 | Morgen wurde |
25 | Dominions of our time |
26 | The flashbulb |
27 | Our simulacra |
28 | Mathieu ka****nti, ben crosland, hamed mafakheri |
29 | Exploring erik satie’s système sur-atonal with rudi arapahoe |
30 | Lawrence english, worriedaboutsatan, and christopher bissonnette |
31 | Bow feat. aidan baker |
32 | Bryanbaum variation |
33 | ın the studio with robin rimbaud |
34 | Scanner |
35 | Orangewarrior |
36 | Retro 97 mix |
37 | Bruno bavota |
38 | Apartment loop #3 |
39 | Joshua van ta***el |
40 | Eternal turtle |
41 | Va |
42 | Gap ın time (dronarivm) |
43 | Stephan moccio |
44 | Le temps qui pa***e |
45 | Nazar, gábor lázár, and grischa lichtenberger |
46 | Robot koch, abadır, and n-so |
47 | Worriedaboutsatan |
48 | Headphone commute mix |
49 | Winterdagen |
50 | Phase ın |
51 | Hior chronik |
52 | Pay no attention to the boundaries |
53 | Rafael anton ırisarri |
54 | Peripeteia (dais) |
55 | Atli örvarsson |
56 | Dropar (feat. gyða valtýsdóttir) |
57 | Boards of canada, autechre, push button objects |
58 | ıtal tek |
59 | Outland |
60 | The new auteurs : bpmoore, thinnen, vito gatto, and j.wilts***re |
61 | Richard luke |
62 | Silent story (rework) |
63 | Ricardo donoso |
64 | Crossed destinies |
65 | Aukai |
66 | Akal ki |
67 | Roel funcken |
68 | Australian bushfire sampler mix |
69 | Roly porter |
70 | Kistvaen |
71 | ın the studio with lambert |
72 | Colin herrick |
73 | ı’ll show you mine… (2) |
74 | Shortwave research group |
75 | Coherence |
76 | Eskmo |
77 | Aether |
78 | ın the studio with sophie hutchings |
79 | Arandel |
80 | Switched-on ınbach |
81 | Dakota suite |
82 | Black swan, 36, and zakè |
83 | The ıdeal setback |
84 | Anchor |
85 | Squarepusher |
86 | Be up a h****o |
87 | Squarepusher, telefon tel aviv, and erik satie |
88 | Sylvain chauveau, vladislav delay, and warmth |
89 | Yair elazar glotman & mats erlandsson |
90 | Procession |
91 | Hc |
92 | And darkness came (rewind) |
93 | Jóhann jóhannsson, dictaphone, and black devil |
94 | Breakbeat science |
95 | Slow reels |
96 | Farewell ıslands (morr music) |
97 | Morgen wurde ft. georges-emmanuel schneider |
98 | Sah voraus |
99 | Daniel avery & alessandro cortini, arovane, and ıda toninato |
100 | ın the studio with sebastian plano |
No | Text |
1 | “… a cosmic journey with cinematographic colours…” |
2 | “… incredibly emotional, while at the same time playful, and most importantly intelligent flavour of electronic music…” |
3 | … focusing on the personal in order to tell a wider human story… |
4 | … prone to audio hallucinations whilst writing the album, alan myson aimed to capture these distortions in his perception of pitch and time… |
5 | … music made by machines, with machines, for machines… |
6 | … a mastercla*** in acid breakbeat and leftfield drill’n’ba***… |
7 | … an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism… |
No | Text |
1 | honest words on honest music |
2 | work |
3 | others |
4 | laaps |
5 | Mathias Van Eecloo |
6 | Ensemble Modern |
7 | Telefon Tel Aviv’s |
8 | Mercury KX |
9 | Raster-Noton |
10 | Touched Music |
11 | Uwe Schmidt |
12 | The Echo Society |
13 | Tom Jenkinson |
14 | Ian Hawgood |
15 | James Murray |
16 | © Headphone Commute 2007 - 2020 |
No | Text |
1 | One tale of hustling |
2 | During the torrent of the live streams invading your living room, I feel that we need something different… something very intimate, delicate, and serene… |
3 | “… too much gear usually leads to boring ideas, while many good ideas reduce the amount of equipment…” |
4 | … I like to be submerged in sounds and the inspiration comes from that… |
5 | RECITAL (2) |
6 | … hyper-modern sound design and smoky nocturnal emotion… |
7 | “… capturing the experiences the world can produce in our minds when we are open, receptive and boundary-less…” |
8 | “… turn down the light, put on these albums, and travel to a place within yourself you did not know existed…” |
9 | “… a cosmic journey with cinematographic colours…” |
10 | “… incredibly emotional, while at the same time playful, and most importantly intelligent flavour of electronic music…” |
11 | “The Système consists of a series of 4 scales creating seven four-note chords…” |
12 | “… an acute meditation on wave fluctuations, restraint on dynamics and textural space…” |
13 | “… a tranquil dance between the sound and image…” |
14 | “…the freedom of expression and thought within the modular system is very appealing, where it’s very much about the moment, the response in real-time…” |
15 | “… a suite of celestial, transcendent songs for synthesizer… “ |
16 | “… like the instrument that inspired it […] the music is elegant and expressive, the score to a movie inside your head…” |
17 | “… I just wanted to come back to hear my own heartbeat. Calm. Quiet… |
18 | … best understood as a crooked ballad… |
19 | “… a serene meditation on sound and space, capturing the quiet noises of the piano, bathing in the warm tones from the analogue machines…” |
20 | “… brooding over the boundaries set forth by the conditioned mind, and reminding us not to heed them…” |
21 | … focusing on the personal in order to tell a wider human story… |
22 | … prone to audio hallucinations whilst writing the album, Alan Myson aimed to capture these distortions in his perception of pitch and time… |
23 | “… a delicate alternate version, with gentle felted piano, deep ba*** rumble and romantic violin…” |
24 | “… contemporary humanity has lost the ability to engage in a productive solitude…” |
25 | “… on discovery, introspection and self-liberation…” |
26 | Australia Bushfire Compilation |
27 | … music made by machines, with machines, for machines… |
28 | … otherworldly sonicnecromancy, where long-dormant spirits are evoked, summoning an extremely heavy presence… |
29 | “… the clearer you line out your musical vision in advance, the easier will it be to get to the result…” |
30 | “I have a fondness for strange old music from the early years of the sh****ac… I just love tossing those old records in a pile on the carpet as I play them… it’s a deliciously irresponsible feeling!” |
31 | “… towering concrete structures push against the skyline and low-frequency pressure seeps from every crack in the granite…” |
32 | … when there’s a real beating heart behind what’s played with, there’s a form of emotion conveyed and never played the same way twice…” |
33 | “… I looked at my shelving unit the other day and thought I could hollow out the middle row, be laid to rest in it with the records and they could just nail wood over the top and I could go into the ground with it all…” |
34 | “Todd Chappell dives further into cinematic orchestration with a beautifully arranged modern-cla***ical composition…” |
35 | … a mastercla*** in acid breakbeat and leftfield drill’n’ba***… |
36 | “… a powerful and stunningly executed long-form work that continues to explore ideas of displaced sound…” |
37 | … and darkness came |
38 | … an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism… |
39 | “… emanating sounds which let dissolve all conceivable questions of a man about life and death…” |
40 | “… an analogy of a hallucination in which real and imaginary space are intertwined into a sonic, visceral trip…” |